Folk highlife is a genre of music that originated in Ghana in the early 20th century. The music is a fusion of traditional Akan rhythms and Western styles, particularly jazz and highlife music. The lyrics are often in the local languages, emphasizing traditional values, social issues and contemporary events.
Folk highlife became popular in the 1950s and 60s as a result of the rapid urbanization that took place in Ghana after independence. It served as a medium for social and political commentary, and provided a means of expressing national identity and pride.
Some notable folk highlife musicians include E.T. Mensah, Ambolley, Gyedu-Blay Ambolley, and Pat Thomas. The genre continues to be popular in Ghana and has also gained international recognition.
Overall, folk highlife is a unique and important aspect of Ghanaian culture and music history.
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